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            Ukiyo-e, or images of the Floating World take as their subject the evanescent floating world that exists between imagination and reality; mythology and history; a view caught in a glance; a wisp of hair along a graceful jaw-line; a sudden shower of rain; a crashing wave; a dramatic landscape or spectacular erotic images intensified by the imagination of the artist. This genre of woodblock prints and paintings flourished in the Edo period (1603 – 1867).

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            Shin- Hanga (New Prints) are 20th Century Japanese prints made by the same traditional system used to produce ukiyo-e, but most shin hanga prints are distinctly different from traditional ukiyo-e in their looks (western style); and tactile quality (of the modern paper and pigments). Shin hanga prints typically fall into the categories of: landscapes, birds and flowers, beauties and actors.

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            Sosaku Hanga, (Creative Print).  To produce sosaku prints, the artist takes the lead, or is the sole producer of the print from concept to carving the blocks and self-printing the image. Production of sosaku prints, started about the same years as the shin-hanga movement, but was touted as an avant-garde genre using traditional techniques to produce modern and abstract imagery.

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#109 Samezu Coast and South Shinagawa

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TITLE:  #109 Samezu Coast and South Shinagawa
ARTIST: Hiroshige
SERIES: 100 Views of Edo
DATE:  1857

#109 Samezu Coast and South Shinagawa
EXHIBITION
Hiroshige 100 Views of Edo

Recent Articles

  • It’s Like Deja-vu All Over Again

    It’s Like Deja-vu All Over Again

    February 24, 2016
  • Hasui Prints Published by Sakai and Kawaguchi: One Edition Doesn’t Fit All

    Hasui Prints Published by Sakai and Kawaguchi: One Edition Doesn’t Fit All

    February 21, 2016
  • A Rare Act to Follow

    A Rare Act to Follow

    February 21, 2016

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Richard A. Waldman

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Phone: 206-859-9940

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Issaquah, WA 98027

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TITLE:  #109 Samezu Coast and South Shinagawa
ARTIST: Hiroshige
SERIES: 100 Views of Edo
DATE:  1857

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